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The future of Super 35mm filmmaking are with 2-perf and 3-perf production, the Digital intermediate/ DI process workflow open new opportunities in film scanning and Aaton's Keycode mastering.
Service available at Digital Magic, in
Hong Kong, with Millennium 2 Datacine scan for 2-perf and 3-perf
negatives, along with time-code, and Aaton's Keycode readers for
full Keycode information.
Cinematic release 35mm Film work to be provided by
www.heavyoptical.com.hk
Digital Cinema DCDM/DCP mastering with www.i-magic.com.hk
New considerations of using 2-perf to
replace Super 16mm work on Indie movie production, since film
laboratories and stock supplies are getting less friendly to
16mm film work, and customer are looking for HD media as a
competitive options. The general aim for to achieve
image quality up, cost down.
Standard film stock exposed under 2-perf
and 3-perf framing, instead of 4-perf
Regular 35 ¡V 4-perf vs 3-perf Super 35mm
film work for 1:1.85 US Wide-screen picture release. Noted the
extra post re-frame possibilities offered during DI post work on
scanning. Along with shooting in Super 35's larger image, this
allowed the same apparent graininess for use of faster film
stocks.
2-perf Super 35mm film work against 1:2.4, super wide audio visual production, and replacement for Super 16mm works
Eliminating the inter image waste, reduces negative consumption, as well as their associated processing costs by 50 to 25%. 3-perf brings a 33% increase in the length of the magazine run time, 400 ft 24fps at 3-perf may score 5 minutes 56 seconds.
Key test frame to enhance your digital film scanning and output.
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Digital Entertainment Conference Asia 2005
HDTV mastering, and Digital Cinema
Presentation Document:
Click Here
HK SMPTE 2005,
Digital
Intermediate and Color Management
Presentation Document: Click
Here
Nov 2000
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End
users' comments on Sony High Definition Camcorder HDW-F900 and
High Definition Recorder HDW-F500:
Film Magic Limited (A special effect production house)
Mr. Percy Fung, founder and production director of Film Magic
Limited said they were very proud to take the lead in Hong Kong
for offering CineAlta services to their customers. CineAlta
symbolizes the bond between cinematography and Digital High
Definition imaging. It brings together the quality and
universality of 24-frame cinematography with the real-time
capability, efficiency and flexibility of Digital High
Definition technology.
According to Mr. Fung, the purchase of Digital HDCAM Camcorder
HDW-F900 and Digital HDCAM Recorder HDW-F500 allows them to
produce pictures that are recorded according to the industry
agreed Common Image format (CIF) and at a choice of different
frame rates to work with international Digital Television (DTV)
standards.
With this initial start-up, they are able to venture into High
Definition area especially their businesses focus on digital
animation and movie effect production.
http://pro.sony.com.hk/news_showlist.php?id=836&path=type,customer_stories...#top
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