Filming and DI with 3 perf/ 2 perf

RED 3D Stereoscopic half way mirror for rent Create 3D live filming




A Dolby DCI JPEG2000 Encoder is installed in i-Magic


Key test frame to enhance your digital film scanning and output




Flame 2008, special for high end HD and 2K Visual effects work
4 Stones to engage multi-feature movie work load





a story on DV film making being on the front line.,
.....a 35mm Cinematic film theatric release in big screen  
See this movie in Hong Kong and China,
see this in Film Festivals around the world, and
see this movie winning best director award


The DE/Digital Entertainment Person of the Year


A GDC Server EN1000 in i-Magic

　
MII is best for your film scanning and DI prep, second only to the faithful Kodak Genesis Plus

　

Digital Intermediate Solution Work-flow

　

Honorary Member of the "Hong Kong Society of Cinematographers"


Please click picture for detail!

Digital-x,

Heavy Optical is part of Digital-X, which operates in a cross platform technology and production supports with: 

Film Magic,
for filming and image acquisition

Digital Magic,
for Digital Film and Video Post-production

i-Magic,
for D-cinema, D-signage, and 3dStereoscopic Vision technology

Wings of Asia,
for Aerial film work

Imagineer,
3d animation, Philippines

 　

 


 
In 2008, Heavy Optical services over 150 movies and 500 TV commercials

Movie work for Digital 24P Conversion services!
In-house facilities, and lab with 32 years of experiences
Services for cinematic release of your works

Hong Kong is a FreePort for you Movie works
A center of Asian Movie post
NO censorship of import and export content is required
NO Sales tax and custom duty on your film works
NO shipment delay, an international hub for shipment
Low tax city for your off-shore distribution plans

35mm FIlm with Optical sound, release prints distribution
DCP for Digital Cinema release, 3D Stereo DCP
and KDM key generation available
Other form of mastering and delivery, Tape, data, LTO4

Handle true RED ONE .r3d raw
Accept all type of file formats, MXF, .dpx, AVI/MOV, .tga, SGI/RGB, P2,
Pro-res, Cineform
Accept all type of Video master, from HDCam SR HQ, HDCam,
D-5, DVCProHD, HDV, Digital Betacam, Betacam, DV and DVCam
Format and system converter, accept frame rate and cross conversion
24P, field removal, NTSC and PAL mastering

Image enhance
Color Grading with da Vinci 2Kplus and Resolve R250
RED .r3d raw grading with Assimilate Scratch
Additional enhancement with Digital Vision DVNR 2K
Handle 4K materials with Clipster 4K
Additional conform work with Autodesk Smoke

Other Edit conform, titling, versioning and audio package service available

Visit our services center in Hong Kong
lik@heavyoptical.com.hk
Joanne@heavyoptical.com.hk
Jackie@heavyoptical.com.hk


 Red One Camera Rent
DI Workflow
　

Pioneer Technology  vs.  Technology Pioneer
China Idol Boy, the First Chinese 3D Stereo movie for National wide Digital Cinema release
Shooting with RED ONE camera, and finished with Assimilate Scratch
DCDM and DCP produced with Dolby content creator
　
Ace Mission is a RED ONE production, with .dpx finishing 
　
See our completed works on RED ONE, D21, Canon5D MarkII, F35, F23, many great camera workflows and DoP's work. Call Lik, 852-25715432/ lik@heavyoptical.com.hk for a film screening demo. 
 　

Introduction

Heavy Optical is a Digital Film Post-production facility for movie image scanning,
film output, special effects, and film animation productions. We have been providing our film services to various Hong Kong and Asian production houses for 31 years.

  
 


首部中國歌舞3D立體電影


恭喜 "麥兜响噹噹" 首週末票房突破 3500 万元

　

恭喜 "喜羊羊" 首週末票房突破 3000 万元

　

** in 2008, our service has help over 463 Asian movie,

** with 115 in Digital Intermediate film finish for full-length feature.

** for 20 years, we have 99%+ market share of Hong Kong’s TV Commercial  
     Kinescope service workload.
 ** Starting from 2007, we serve Digital Cinema DCP Advertising in China.

 Dolby Digital cinema mastering, DCDM and DCP production
Dolby Digital Mastering for DCI 3D Stereoscopic
Dolby Digital reviewing cinema with Barco 2K cinema DLP, Dolby CP650 SR-D and
5.1 monitoring
DigiDesign Protools HD 5.1 audio
　

Range of services
 *RED ONE production post work with Assimilate Scratch, 32TB 2 stream real-time
  display for 3D Stereo work. RED .r3d 4k raw conform and 4K coloring. conversion to
  2K .dpx for film work, and HD 444 mastering.
　

*Digital Film Scanning 01, with Kodak Genesis Plus, for 6K, 4K, 3K, 2K Cineon
  10bitLog,  optional DPX.cin Log files. Scanning with fixed pin registration,
  providing the highest steadiness in film scan, which is especially important wide
  detailed shots. Kodak Cineon Storm image control and enhancement.

 

*Digital Film Scanning 02, with Millennium II Datacine, and Data Mill, for 4K, 3K,
  2K, and HD4:4:4 scan, producing image files: DPX, DPX.cin, SGI/RBB, Tiff, Targa
  8bit/16bit, QuickTime.

  Handling Super35, Super 16, standard 35mm and 16mm. Handle standard 4 perf,
  and special 2 perf and 4 pref with full Astion Keycode and Time-code. Optional
  65mm/70mm and Super 8mm Film Gate.
  World only 4K/2K Print registered steady film gate

  Data Mill image film conversion

  Real-time HSDL 2k output to DVS Clipster, and HDCAM SR 4:4:4, or D-5

  Da Vinci 2KPlus, da Vinci ToolBox 2, with 7 independent Power windows

  Digital Vision DVNR 2K, DVNR HD 4:4:4 for Grain control, scratch and dirt removal
  Film data cine work with Aaton key-code for standard 4 perf, and 2 perf, 3 perf,

 

Digital Edit and Conform, Scratch RED 4K, AutoDesk Smoke 2K

Digital 2d VFx film effect works

Laboratory film work: negative matching and film handling

Film audio, and Optical sound, Dolby Audio mixing

Film physical inspection and Cleaning,

35mm Film output, from DI workflow, data and Video, Arri Laser film work

Film archive prep and restoration, da Vinvi Revival,

Digital dirt removal, grain control and scratch concealment, Digital Vision 2K DVNR

Film datacine re-master for digital release, HDCam SR 422/444, HDCam, D-5, DCVproHD
　

 　
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