Index -- Heavy Optical

China Idol Boy, the First Chinese 3D Stereo movie for National wide Digital Cinema release

Shooting with RED ONE camera, and finished with Assimilate Scratch

DCDM and DCP produced with Dolby content creator

Ace Mission is a RED ONE production, with .dpx finishing
　

See our completed works on RED ONE, D21, Canon5D MarkII, F35, F23, many great camera workflows and DoP's work. Call Lik, 852-25715432/ lik@heavyoptical.com.hk for a film screening demo.

Heavy Optical is a Digital Film Post-production facility for movie image scanning,
film output, special effects, and film animation productions. We have been providing our film services to various Hong Kong and Asian production houses for 31 years.

首部中國歌舞3D立體電影

** for 20 years, we have 99%+ market share of Hong Kong’s TV Commercial
Kinescope service workload.
** Starting from 2007, we serve Digital Cinema DCP Advertising in China.

Dolby Digital cinema mastering, DCDM and DCP production
Dolby Digital Mastering for DCI 3D Stereoscopic
Dolby Digital reviewing cinema with Barco 2K cinema DLP, Dolby CP650 SR-D and
5.1 monitoring
DigiDesign Protools HD 5.1 audio
　

Range of services
*RED ONE production post work with Assimilate Scratch, 32TB 2 stream real-time
display for 3D Stereo work. RED .r3d 4k raw conform and 4K coloring. conversion to
2K .dpx for film work, and HD 444 mastering.
　

*Digital Film Scanning 01, with Kodak Genesis Plus, for 6K, 4K, 3K, 2K Cineon
10bitLog, optional DPX.cin Log files. Scanning with fixed pin registration,
providing the highest steadiness in film scan, which is especially important wide
detailed shots. Kodak Cineon Storm image control and enhancement.

*Digital Film Scanning 02, with Millennium II Datacine, and Data Mill, for 4K, 3K,
2K, and HD4:4:4 scan, producing image files: DPX, DPX.cin, SGI/RBB, Tiff, Targa
8bit/16bit, QuickTime.

Handling Super35, Super 16, standard 35mm and 16mm. Handle standard 4 perf,
and special 2 perf and 4 pref with full Astion Keycode and Time-code. Optional
65mm/70mm and Super 8mm Film Gate.
World only 4K/2K Print registered steady film gate

Digital Vision DVNR 2K, DVNR HD 4:4:4 for Grain control, scratch and dirt removal
Film data cine work with Aaton key-code for standard 4 perf, and 2 perf, 3 perf,

Digital dirt removal, grain control and scratch concealment, Digital Vision 2K DVNR

Film datacine re-master for digital release, HDCam SR 422/444, HDCam, D-5, DCVproHD
　


	Filming and DI with 3 perf/ 2 perf RED 3D Stereoscopic half way mirror for rent Create 3D live filming A Dolby DCI JPEG2000 Encoder is installed in i-Magic Key test frame to enhance your digital film scanning and output Flame 2008, special for high end HD and 2K Visual effects work 4 Stones to engage multi-feature movie work load a story on DV film making being on the front line., .....a 35mm Cinematic film theatric release in big screen See this movie in Hong Kong and China, see this in Film Festivals around the world, and see this movie winning best director award The DE/Digital Entertainment Person of the Year A GDC Server EN1000 in i-Magic 　 MII is best for your film scanning and DI prep, second only to the faithful Kodak Genesis Plus 　 Digital Intermediate Solution Work-flow 　 Honorary Member of the "Hong Kong Society of Cinematographers" Please click picture for detail! Digital-x, Heavy Optical is part of Digital-X, which operates in a cross platform technology and production supports with: Film Magic, for filming and image acquisition Digital Magic, for Digital Film and Video Post-production i-Magic, for D-cinema, D-signage, and 3dStereoscopic Vision technology Wings of Asia, for Aerial film work Imagineer, 3d animation, Philippines		^{Red One Camera Rent} ^{DI Workflow} 　 Pioneer Technology vs. Technology Pioneer China Idol Boy, the First Chinese 3D Stereo movie for National wide Digital Cinema release Shooting with RED ONE camera, and finished with Assimilate Scratch DCDM and DCP produced with Dolby content creator 　 Ace Mission is a RED ONE production, with .dpx finishing 　 See our completed works on RED ONE, D21, Canon5D MarkII, F35, F23, many great camera workflows and DoP's work. Call Lik, 852-25715432/ lik@heavyoptical.com.hk for a film screening demo. 　 Introduction Heavy Optical is a Digital Film Post-production facility for movie image scanning, film output, special effects, and film animation productions. We have been providing our film services to various Hong Kong and Asian production houses for 31 years. 首部中國歌舞3D立體電影恭喜 "麥兜响噹噹" 首週末票房突破 3500 万元　恭喜 "喜羊羊" 首週末票房突破 3000 万元　 in 2008, our service has help over 463 Asian movie, with 115 in Digital Intermediate film finish for full-length feature. for 20 years, we have 99%+ market share of Hong Kong’s TV Commercial Kinescope service workload. Starting from 2007, we serve Digital Cinema DCP Advertising in China. Dolby Digital cinema mastering, DCDM and DCP production Dolby Digital Mastering for DCI 3D Stereoscopic Dolby Digital reviewing cinema with Barco 2K cinema DLP, Dolby CP650 SR-D and 5.1 monitoring DigiDesign Protools HD 5.1 audio 　 Range of services RED ONE production post work with Assimilate Scratch, 32TB 2 stream real-time display for 3D Stereo work. RED .r3d 4k raw conform and 4K coloring. conversion to 2K .dpx for film work, and HD 444 mastering. 　 Digital Film Scanning 01, with Kodak Genesis Plus, for 6K, 4K, 3K, 2K Cineon 10bitLog, optional DPX.cin Log files. Scanning with fixed pin registration, providing the highest steadiness in film scan, which is especially important wide detailed shots. Kodak Cineon Storm image control and enhancement. Digital Film Scanning 02, with Millennium II Datacine, and Data Mill, for 4K, 3K, 2K, and HD4:4:4 scan, producing image files: DPX, DPX.cin, SGI/RBB, Tiff, Targa 8bit/16bit, QuickTime. Handling Super35, Super 16, standard 35mm and 16mm. Handle standard 4 perf, and special 2 perf and 4 pref with full Astion Keycode and Time-code. Optional 65mm/70mm and Super 8mm Film Gate. World only 4K/2K Print registered steady film gate Data Mill image film conversion Real-time HSDL 2k output to DVS Clipster, and HDCAM SR 4:4:4, or D-5 Da Vinci 2KPlus, da Vinci ToolBox 2, with 7 independent Power windows Digital Vision DVNR 2K, DVNR HD 4:4:4 for Grain control, scratch and dirt removal Film data cine work with Aaton key-code for standard 4 perf, and 2 perf, 3 perf, Digital Edit and Conform, Scratch RED 4K, AutoDesk Smoke 2K Digital 2d VFx film effect works Laboratory film work: negative matching and film handling Film audio, and Optical sound, Dolby Audio mixing Film physical inspection and Cleaning,* 35mm Film output, from DI workflow, data and Video, Arri Laser film work Film archive prep and restoration, da Vinvi Revival, Digital dirt removal, grain control and scratch concealment, Digital Vision 2K DVNR Film datacine re-master for digital release, HDCam SR 422/444, HDCam, D-5, DCVproHD
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