Filming and DI with 3 perf/ 2 perf






A Dolby DCI JPEG2000 Encoder is installed in i-Magic


Key test frame to enhance your digital film scanning and output




Flame 2008, special for high end HD and 2K Visual effects work
4 Stones to engage multi-feature movie work load





a story on DV film making being on the front line.,

The DE/Digital Entertainment Person of the Year


A GDC Server EN1000 in i-Magic

Digital Intermediate Solution Work-flow

Honorary Member of the "Hong Kong Society of Cinematographers"

Please click picture for detail!

Digital-x,

Heavy Optical is part of Digital-X, which operates in a cross platform technology and production supports with: 

Film Magic,
for filming and image acquisition

Digital Magic,
for Digital Film and Video Post-production

i-Magic,
for D-cinema, D-signage, and 3dStereoscopic Vision technology

Wings of Asia,
for Aerial film work

Imagineer,
3d animation, Philippines

^{Red One Camera Rent
DI Workflow}

Company Vision

To be Asian Avant-Garde in Movie imaging technology.

To deliver On time, Within Budget, and with good results.

Introduction

Heavy Optical is a Digital Film Post-production facility for Movie image scanning,
film output, special effects, and film animation productions. We have been providing our film services to various Hong Kong and Asian production houses for 29 years.
　

** in 2007, our service has help over 362 Asian movie,

** with 102 in Digital Intermediate full-length feature.

** for 20 years, we have 99%+ market share of Hong Kong’s TV Commercial  
     Kinescope service workload.
** 2007, we serve Digital Cinema DCP Advertising in China.

Dolby Digital cinema mastering, DCDM and DCP production
Dolby Digital reviewing cinema with Barco 2K cinema DLP, Dolby CP650 SR-D and
5.1 monitoring
DigiDesign Protools HD 5.1 audio
DCP distribution..........Click here to see more
　

Range of services

*Digital Film Scanning01, with Kodak Genesis Plus, for 6K, 4K, 3K, 2K Cineon
  10bitLog,  optional DPX.cin Log files. Scanning with fixed pin registration,
  providing the highest steadiness in film scan, which is especially important wide
  detailed shots. Kodak Cineon Storm image control and enhancement.

*Digital Film Scanning 02, with Millennium II Datacine, and Data Mill, for 4K, 3K,
  2K, and HD4:4:4 scan, producing image files: DPX, DPX.cin, SGI/RBB, Tiff, Targa
  8bit/16bit, QuickTime.

  Handling Super35, Super 16, standard 35mm and 16mm. Optional 65mm/70mm
  and Super 8mm Film Gate.

  World only Print registered steady film gate

  Data Mill image film conversion

  Real-time HSDL 2k output to DVS Clipster, and HDCAM SR 4:4:4, or D-5

  Da Vinci 2KPlus, da Vinci ToolBox 2, with 7 independent Power windows

  Digital Vision DVNR 2K, DVNR HD 4:4:4 for Grain control, scratch and dirt removal

  Sony F24 Monitor, Tektronics standard and testing, Aaton Keycode

  Da Vinci Gallery picture window display

Digital Edit and Conform

Digital 2d film effect works

Laboratory negative matching and film handling

Film audio, and Optical sound

Film physical inspection and Cleaning,

35mm Film output, from data and Video

Film archive prep and restoration

Digital dirt removal, grain control and scratch concealment

Film datacine remaster for digital release

　

HD Mission

HD 24p, CineAlta, World leader in future Universal Image format, with 1920X1080 High Definition Production.